Sunday, July 27, 2014

My Schedule for Loncon3--World Science Fiction Convention in London

I have my final schedule for Loncon3, the 72nd World Science Fiction Convention in London, UK. You can read my con bio here, and I'm looking forward to jetting across the pond and seeing old friends, as well as meeting new ones. There's a nifty app to help you schedule your time at Loncon, and you can download it in iPhone or Android formats. 

Where there's an (M) next to my name, I'm the moderator for that item.  I'll also be doing a reading from either The Pirate's Secret Baby or the WIP [Mattie's Book]. Don't forget, The Pirate's Secret Baby, along with all my previous novels, can be purchased from Amazon Kindle UK, as well as at NOOK, Kobo and other ebook dealers. Paper editions are available in the US.

I'll be out and about at the con as a fan as well as a programme participant. If you see me, please come up to me and say "Hi!" Worldcon is no place to be shy, we're there to see friends and fans!

Teen Romance

Friday 15:00 - 16:30, Capital Suite 10 (ExCeL)

Romance is in the air! Authors discuss the trend of weaving romantic entanglements into young adult literature. From true love to pining for that special someone, authors tackle the thorny subject of love, sex, and the supernatural--not to mention the fateful first kiss. What is it about a supernatural love interest that leaves mere mortals a distant second? Is there a discernible difference in how teen romance is handled between SF/F and its peer genres? And how far is too far when writing teen romance?

Mary Anne Mohanraj (M), Amie Kaufman, Mary Turzillo, Sarah Rees Brennan, Darlene Marshall

Sex in SF&F: The Good, the Bad, and the Ugly

Saturday 11:00 - 12:00, Capital Suite 7+12 (ExCeL)

Genre fiction's relationship to sex can best be described as 'It's Complicated'. While a sub-genre such as paranormal romance is sometimes belittled for its libido, other fields play it overly coy or, worse still, deal with sex almost entirely within the context of sexual(ised) violence; moreover, space given to non-heteronormative sexualities is small and may even been dissipating. What has occasioned such divergent approaches? How can portrayals of sex in general be used to communicate more complex and positive ideas and responses? Whatever happened to fumbling foreplay, the intimacy of commitment, and the post-coital chat?

Darlene Marshall (M), Tiffani Angus, Terry Jackman, Stephanie Osborn, Jennifer Stevenson

Coming of Age in Game of Thrones

Saturday 18:00 - 19:00, Capital Suite 14 (ExCeL)

In a world were life and death hang in the balance for every character no matter how despised or loved, it is the children who pay the heaviest price. Their parents' plots and intrigues sit squarely upon the shoulders of the Stark, Lannister, and Targaryen children, snatching their childhoods away and forcing them to wield their own power to survive the game of thrones. But have the adults underestimated their children's value as players? Who will survive? Who will gain power? Will they have a chance to be children again? And who will be the biggest surprise? At what point do these children, despite their tender ages, take on the mantels of their parents and become adults themselves? Panelists will examine issues surrounding childhood and coming of age during a time of conflict where familial normalcy is gone and the rules of their world are in the process of being rewritten. *Spoiler Alert: Discussion will include all previously published books within the series.*

Darlene Marshall (M), Liz de Jager, John Hornor Jacobs, Django Wexler

Reading: Darlene Marshall

Sunday 14:30 - 15:00, London Suite 1 (ExCeL)

Darlene Marshall(darlenemarshall@darlenemarshall.com)

When Genres Collide: Does SF&F have its own form?

Monday 10:00 - 11:00, Capital Suite 7+12 (ExCeL)

Science fiction and fantasy often borrows structures and forms from other genres like noir, western, romance, etc. What are the structures and forms that are native to science fiction and fantasy? Are these storytelling conventions that can be exported to mainstream fiction? What is it about science fiction and fantasy that makes it so flexible for folding in other genres?

Duncan Lawie (M), Peter Higgins, Darlene Marshall, Nick Harkaway

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